- EAN13
- 9782367812489
- ISBN
- 978-2-36781-248-9
- Éditeur
- UNIV P VALERY
- Date de publication
- 04/09/2017
- Collection
- HORIZONS ANGLO.
- Nombre de pages
- 284
- Dimensions
- 2,4 x 1,6 cm
- Poids
- 580 g
- Langue
- anglais
- Fiches UNIMARC
- S'identifier
The humble in 19th- to 21st- century British literature and arts
Édité par Isabelle Brasme, Christine Reynier, Jean-Michel Ganteau
Univ P Valery
Horizons Anglo.
Offres
Autre version disponible
Through its take on ‘the humble’, this volume attempts to reveal the depth and philosophical relevance of literature, its ethical and political dimension as well as its connection to life. Because it can be associated with social class, religion, psychology or ethics, the notion of ‘the humble’ lends itself to diverse types of studies. The papers collected in this volume argue that in the course of the 19th, 20th and 21st centuries, artists and writers have revisited the term ‘humble’ and, far from treating it as a simple motif, have raised it to the status of an aesthetic category. This category can first foster a better understanding of fiction, poetry, painting, and their representation of precarious lives through various genres and modes. It may also draw attention to neglected or depreciated humble novels or art forms that developed from the Victorian to the contemporary period, through the Edwardian and the modernist eras. Finally, it helps revise assumptions about the literature and art of the period and signals to a poetics of the humble. The works of art examined here explore the humble as a possible capacity and ethical force, a way of being and acting.
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Autres contributions de...
- Jean-Michel Ganteau (Éditeur scientifique)
- Christine Reynier (Éditeur scientifique)
- Isabelle Brasme (Éditeur scientifique)
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Impersonality and emotion in twentieth-century British artsJean-Michel Ganteau, Christine Reynier, Centre d'études et de recherches victoriennes et édouardiennesUniversité Montpellier III
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Impersonality and emotion in twentieth-century British literatureChristine Reynier, Jean-Michel GanteauUniversité Montpellier III
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Ethics of Alterity Confrontation and Responsibility in 19th- to 21st-Century British LiteratureChristine Reynier, Jean-Michel Ganteau, Études montpellieraines du monde anglophoneUniv P Valery22,00
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Autonomy and Commitment in Twentieth-Century British ArtsJean-Michel Ganteau, Christine ReynierUniv P Valery25,00
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Autonomy and commitment in Twentieth-century British literatureChristine Reynier, Jean-Michel GanteauUniv P Valery25,00
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Impersonality and emotion in twentieth-century British artsJean-Michel Ganteau, Christine Reynier, Centre d'études et de recherches victoriennes et édouardiennesUniversité Montpellier III
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Impersonality and emotion in twentieth-century British literatureChristine Reynier, Jean-Michel GanteauUniversité Montpellier III
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Ethics of Alterity Confrontation and Responsibility in 19th- to 21st-Century British LiteratureChristine Reynier, Jean-Michel Ganteau, Études montpellieraines du monde anglophoneUniv P Valery22,00
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Autonomy and Commitment in Twentieth-Century British ArtsJean-Michel Ganteau, Christine ReynierUniv P Valery25,00
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Autonomy and commitment in Twentieth-century British literatureChristine Reynier, Jean-Michel GanteauUniv P Valery25,00
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Homo duplex, Ford madox ford's experience and aesthetics of alterityIsabelle BrasmeUniv P Valery22,00
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"Parade's end" de Ford Madox Ford, Vers une esthétique de la criseIsabelle BrasmeUniv P Valery27,00